A major focus of the meeting was the debate over relocating a sculpture from the sponge docks to a new site. Committee members emphasized the necessity of involving the community in deciding the sculpture’s new location. Suggestions included hosting a public session at the Union Academy Center to gather input and foster consensus. Several potential sites, such as the Heritage Center and various parks, were considered. However, the logistics of organizing a physical meeting raised concerns, with some attendees proposing the Tarpon Connect platform as a more inclusive and efficient alternative. This online approach could ensure broader participation and provide a documented record of community preferences, potentially sidestepping confrontational scenarios that might arise in face-to-face meetings.

The conversation underlined the need for a streamlined approach to gathering input, with a focus on avoiding redundancy. The Union Academy neighborhood revitalization group had previously engaged with the community on this issue, and five of its members volunteered to collaborate further with the Art Council. These volunteers could play a role in community outreach efforts, leveraging their connections to gather more comprehensive feedback.

In a related development, the artist, Mr. Oliver, had formally transferred the artwork’s rights back to the city, granting them full control over its relocation. This transfer was seen as a critical step. The city manager, Charles Rudd, was introduced to the committee and welcomed into the upcoming discussions, with an understanding that his involvement would be beneficial in coordinating the relocation efforts.

The importance of gathering input from those directly affected by the art’s location was stressed, with plans to consult with Tom Puncheon regarding potential sites that would not interfere with existing infrastructure.

Another topic addressed was the condition of existing public art, such as the Dorset Park mural, which had suffered damage. Protective measures, including the potential installation of a frame or covering, were proposed to prevent further deterioration. The mural’s vulnerability to damage from daily park activities prompted committee members to seek collaboration with the Public Works department for a viable solution.

Further updates were provided on the illuminated art boxes, which were initially not functioning at night due to solar power issues. These had been rectified by hardwiring the boxes to light fixtures and installing larger LED lights, with the total cost estimated at $700. This investment was deemed reasonable given the number of art boxes involved.

The status of the Naiad statue fountain at the sponge docks was also discussed. The fountain faced issues due to a malfunctioning pump valve, and despite repeated requests to the vendor for warranty repairs, there had been no response. Committee members expressed their determination to pursue this matter until resolved.

These logistical hurdles, while not directly related to the meeting’s agenda, highlighted the need for improved arrangements to facilitate future gatherings.